I am a visual artist working in collage, assemblage sculpture and altered books. My practice explores identity, memory and the history of the African diaspora. Vintage and contemporary images collide to convey how the past informs the present.


Work in progress: It came from the deep

I have lots of stories and photos of my mom's side of the family, but on my dad's side I have more stories than photos. That's one reason why my last three assemblages focused on my mom and her parents.
"Greener", which tells a story about my mother as a child
But lack of photos hasn't stopped me from working on a new assemblage about my dad's maternal grandmother. In my head I call her by her nickname, Mickey.
Not a pretty woman, or kind either. She grew up poor in rural South Carolina, and had a hard life, most of which was her fault. Her relatives described Mickey as a mean drunk who abandoned her kids and trashed two (maybe three) marriages. I wish I knew what her reasons were, horrible though they probably were, for lashing out at her kids and nearly everyone else.
Her harshness made me think of a cold sea with a rocky shoreline, which led me to thinking about barnacles.
And what do barnacles do? They cling. Much like kids do, even to a negligent mother. I'll tell you more about the barnacle thing in my next post.

Work in progress: barnacles and clinginess

Looking good: working with a graphic designer