I am a visual artist working in collage, assemblage sculpture and altered books. My practice explores identity, memory and the history of the African diaspora. Vintage and contemporary images collide to convey how the past informs the present.


New artwork: sensitive "Skin"

I don't know why I kept avoiding writing about this artwork. Too personal? How's that possible for a woman painting a collage portrait of a man?
I guess the subject matter is weighing on my mind.
I paired the above medical text with a painted-over image from my favorite Library of Congress collection...
... and assembled other elements, including the art paper I think of as "pinto pony hide."
But the layout didn't really say "hide" or "skin" to me until I added another bit of text: "... the color of skin resides in the superficial layers, hence beauty is skin deep."
Pony hide... skin. Skin... hey, don't I have some crocodile hide paper?
So then I gave my guy a suit -- a tattered one, to expose the croc skin -- and added claw marks on the background for good measure.
From that point, it finally felt like I'd convinced the work to give up some of its secrets. I think it's enough to call this collage "Skin."
Want to see the full piece? First person to RSVP yes to my solo show will receive a sneak peek image of the full piece before everyone else! Just in case you've never RSVP'd on Facebook before, here's what you do:

  • Go to the event on Facebook here
  • Click the "Join" button
  • Message me to tell me your email address, so I know where to send the image

Slowpokes will have to wait until May to see "Skin" [wicked cackle].

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