I am a visual artist working in collage, assemblage sculpture and altered books. My practice explores identity, memory and the history of the African diaspora. Vintage and contemporary images collide to convey how the past informs the present.


We don't see things as they are, we see them as we are. -- Anaïs Nin via ThinkExist.com
That quote sums up the thought process that led me to the title of this new work: "We See." Here's a snippet of the full piece.
I found out the man in the original, unpainted-over photo was a photographer...
Courtesy Library of Congress
... and it got me thinking about how what I see is not necessarily what the camera -- or another person -- sees. If he were on TV today, I'd probably label him Ambiguously Ethnic: probably not "white" but not clearly "from X group" either, from my 21st century perspective.
Following the sight/perception train of thought, I pulled an optometrist's lens and a vintage illustration of the retina from my stash. On his forehead and face, I embedded medical text about sight.
I outlined the background diagrams from his eye and his brain with hemp cord and red embroidery floss, knocking back the others with paint. Then I echoed the look of the retinal vessels in arterial patterns, especially on his jacket and marbled-paper tie.
As far as I know, the man in the original photo was the first African-American photographer in Atlanta. Thomas Askew shot his self-portrait and many others for a massive exhibit created for the 1900 Paris Exposition by the sociologist WEB DuBois. (Other than a photo credit to the Library of Congress, most photos in this collection are copyright-free.)
I'm waiting for a confirmation email, but I'm pretty sure you'll get to see this piece, in person, very soon! I've submitted this piece and a few others to a couple of exhibits happening in September. When I find out for sure, I'll show you the full-scale image of "We See" -- so keep checking back!

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