I am a visual artist working in collage, assemblage sculpture and altered books. My practice explores identity, memory and the history of the African diaspora. Vintage and contemporary images collide to convey how the past informs the present.


Artfest, night two: work hard, play hard

A few more Artfest tidbits of after-school fun: Swag from the Aleene's glue people!
My housemate Jennifer Blevins (on the left) brought free art supplies from her employer. (And no, I wasn't asked to blog about it in exchange, but I did let Jennifer focus-group me a little.) Speaking of fun free stuff, I loved Michelle Allen's  trade -- a Dangling Doodling with moveable arms.
African-inspired hairstyles: braids on Adeola Davies-Aiyeloja, Michelle with her 'locks, and me with my twist-out.
Interesting observation from Michelle: It's the first time, as a white woman, that she's ever been the focus of such strong reactions to her hair. People either adore it or are completely repulsed.
During the journaling/kibbitzing/working on class projects, we had live music, with belly-dancing courtesy of Lana Guerra. That girl's moves oughta come with a tsunami warning. Lana also taught a wig-making class; Madeline Jolley wore hers pretty much every day.
And finally, Kecia Deveney, my first retreat roomie and the artist whose necklace I bought at last year's Artfest. Every. Single. Day I got compliments on it, so I asked Kecia for her business cards to hand out.
But she didn't have them on her! At Artfest, epicenter of her target audience! I plan on giving her a hard time about that until I get referral commissions.

Artfest, day two: A short history of gluin' and screwin'

Artfest, day one: Steampunk'd